We Live in Time: The Romantic Comedy where Love Perseveres
By Tasha Acres
Tasha Acres (she/her) reviews this touching and emotional romantic comedy
The Heavy-Handedness of Modern Films: A Mickey 17 Review
By Lydia Harper
Lydia Harper reviews Bong Joon-Ho’s Mickey 17
September 5 Review - A thought-provoking clash of past and present
By Alfie Sansom
Alfie Sansom (he/him) shares his opinions on the politically daring September 5 (2024)
The Gorge: Falling in love or the abyss?
By Holly-George Price
Holly-George Price (she/her) discusses her disappointment of The Gorge (2025) as a romance, with great potential for a sci-fi thriller
Better Man: A musical biopic that wants to entertain you
By Austin Atkinson
Austin Atkinson (he/him) discusses Robbie Williams' wildly entertaining biopic
Is Beauty Enough?: A Review on The Last Showgirl
Lydia Harper (she/her) reviews Gia Coppola’s The Last Showgirl
I’m Still Here: The Heartbreaking Fight for Truth and Justice
By Jorgah Herbert
Jorgah Herbert reviews the Oscar-winning Best International Film
The real pain of ‘A Real Pain’
By Kyla Charles
Kyla Charles dissects the pain in this new dramedy
The Eloquence of Silence: A Review of THE LAST SHOW
By Aoife Carnevale
Aoife Carnevale (she/her) reviews Lisle Turner's documentary about the London Mime Festival
A Complete Unknown: The Freewheelin’ days of Bob Dylan
By Mia Dias Laia Spragg
Mia Dias Laia Spragg (she/her) reviews this biopic based on the life of Bob Dylan
Flow: An Adventure of Companionship in the Face of Adversity
By Felicity Spencer
Felicity Spencer reviews this charming Latvian animation
Nosferatu: A Fresh Bite into Gothic Horror or a Pale Imitation?
By Kate Mulraney
Kate Mulraney (she/her) reviews this new horror, considering whether it holds up to the iconic original
Battle of the Sequel: A Review of Gladiator 2
By Edie Bell-Brown
Edie Bell-Brown (she/her) explores how Gladiator 2 struggles to live up to the legacy of its predecessor
Wallace and Gromit: Vengeance Most Fowl- A Review
Austin Atkinson explores the latest instalment of this popular stop-motion franchise
Conclave: A religious drama for the ages
Austin Atkinson (he/him) commends the new Edward Berger release
Moana 2: What Could Be Better Than This?
By James Lapping
James Lapping (he/him) reviews the newest Disney sequel, highlighting the ground-breaking release of a Māori language version
“There is still time”: Queer Temporality in Jane Schoenbrun’s I Saw The TV Glow
By Lauren Wilson
Lauren Wilson explores repressed identity and the disorientation of time in Schoenbrun’s newest release
Challenging Faith: A Review of Heretic
Edie Bell-Brown (she/her) explores how Hugh Grant successfully swaps his rom-com charm for chilling villainy in Heretic
West Side Story: The Best 'Best Picture' Of The Sixties
Kyla Charles explains why the multiple Oscar-winning musical is by far the best
Blow-Up: A '60s snapshot of the postmodernist transition
Kate Mulraney (she/her) explores how this sixties classic encapsulates postmodernism
Juror #2: A Review
Austin Atkinson (he/him) reviews how Clint Eastwood proves how a modern courtroom drama can be refreshing
The Substance Review: Confronting the horrors of being a woman in the 21st Century
Edie Bell-Brown (she/her) explores the intersection of feminism and fear in The Substance.
Anora: A Bold Twist on Cinderella Driven by Chaos and Volatility
Kate Mulraney (she/her) untangles the dark fairytale of Anora
Beetlejuice, Beetlejuice: A Review
By Ellie Banyard
Ellie Banyard reviews Tim Burton's Beetlejuice Beetlejuice, a sequel to his comedy-horror 1980s classic
The Apprentice: Good film or PR nightmare?
Austin Atkinson (He/Him) considers the impact of the new Donald Trump biopic on the upcoming American elections
Alien: Romulus - Daring to Dream
By Terri Wilkinson
Terri Wilkinson (she/her) examines the central theme of hope in the newest entry to the Alien franchise
Deadpool and Wolverine: A breath of fresh air after the MCU’s streak of disappointments
By Alex Herzmansky
Alex Herzmansky (he/him) reviews the film that marks Deadpool's entrance into the MCU
Longlegs: An Ode to the Golden Age of Horror
By Antonia Shipley
Antonia Shipley (She/Her) argues that Perkins' new film lacks the fear factor with an unavoidable dearth of originality - which is what makes it so good.
Inside Out 2: The Film We All Needed When We Were Thirteen
By Freya West
Freya West (she/her) commends the honest portrayal of adolescence in this newest Disney/Pixar release
Challengers: Tennis, Voyeurism and the Obsessed Artist
By Maia Wensley
Maia Wensley (she/her) analyses Luca Guadagnino’s latest release
