Moana 2: What Could Be Better Than This?
By James Lapping
James Lapping (he/him) reviews the newest Disney sequel, highlighting the ground-breaking release of a Māori language version
The New Wicked Film: A Modern Celebration of Fantasy, Theatre, and Empowerment
By Faye Robinson
Faye Robinson reviews this acclaimed stage-to-screen adaptation of a Broadway classic
“There is still time”: Queer Temporality in Jane Schoenbrun’s I Saw The TV Glow
By Lauren Wilson
Lauren Wilson explores repressed identity and the disorientation of time in Schoenbrun’s newest release
Challenging Faith: A Review of Heretic
By Edie Bell-Brown
Edie Bell-Brown (she/her) explores how Hugh Grant successfully swaps his rom-com charm for chilling villainy in Heretic
West Side Story: The Best 'Best Picture' Of The Sixties
By Kyla Charles
Kyla Charles explains why the multiple Oscar-winning musical is by far the best
Blow-Up: A '60s snapshot of the postmodernist tradition
By Kate Mulraney
Kate Mulraney (she/her) explores how this sixties classic encapsulates postmodernism
Juror #2: A Review
By Austin Atkinson
Austin Atkinson (he/him) reviews how Clint Eastwood proves how a modern courtroom drama can be refreshing
Kate Winslet's perfect depiction of the English ‘Frazzled Woman Aesthetic’
Faye Robinson (she/her) dissects the holiday classic The Holiday!
The Substance Review: Confronting the horrors of being a woman in the 21st Century
Edie Bell-Brown (she/her) explores the intersection of feminism and fear in The Substance.
Anora: A Bold Twist on Cinderella Driven by Chaos and Volatility
Kate Mulraney (she/her) untangles the dark fairytale of Anora
Beetlejuice, Beetlejuice: A Review
By Ellie Banyard
Ellie Banyard reviews Tim Burton's Beetlejuice Beetlejuice, a sequel to his comedy-horror 1980s classic
The Apprentice: Good film or PR nightmare?
Austin Atkinson (He/Him) considers the impact of the new Donald Trump biopic on the upcoming American elections
Alien: Romulus - Daring to Dream
By Terri Wilkinson
Terri Wilkinson (she/her) examines the central theme of hope in the newest entry to the Alien franchise
Deadpool and Wolverine: A breath of fresh air after the MCU’s streak of disappointments
By Alex Herzmansky
Alex Herzmansky (he/him) reviews the film that marks Deadpool's entrance into the MCU
Longlegs: An Ode to the Golden Age of Horror
By Antonia Shipley
Antonia Shipley (She/Her) argues that Perkins' new film lacks the fear factor with an unavoidable dearth of originality - which is what makes it so good.
Inside Out 2: The Film We All Needed When We Were Thirteen
By Freya West
Freya West (she/her) commends the honest portrayal of adolescence in this newest Disney/Pixar release
Challengers: Tennis, Voyeurism and the Obsessed Artist
By Maia Wensley
Maia Wensley (she/her) analyses Luca Guadagnino’s latest release
The World is Yours: Why La Haine Remains Relevant
By Adelaide Maddison
Adelaide Maddison (she/her) examines the cult classic three decades after release
Review: The Rise of African Representation in Iwájú
James Lapping (he/him) raves about Disney’s groundbreaking new animated miniseries
Tangled Up: Unearthing Trauma in All of Us Strangers
Adelaide Maddison (she/her) analyses the BAFTA-nominated drama
Chocktaw Culture Echoes in Marvel Miniseries
James Lapping (he/him) tunes into Indigenous representation in Marvel’s new show Echo
Death of the Superhero
By George Udale
George Udale (he/him) explores the box office decline of blockbuster superheroes
All of Us Strangers: Time Cannot Heal All Wounds
Antonia Shipley (she/her) explores Andrew Haigh 's new film All of Us Strangers
Wonka: Just Another Modern Spin on a Well-loved Character?
Terri Wilkinson (she/her) shares her opinion on the new rendition of Roald Dahl's Willy Wonka
The Hunger Games: The Ballad of Songbirds and Snakes: Truly a Ballad?
By James Payne
James Payne (he/him) discusses the new Hunger Games prequel completely spoiler free
Anatomy of a Fall: Dissecting a Wife
By Vanessa Romero
Vanessa Romero (she/her) analyses Justine Triet's courtroom drama
Review: Martin Scorsese’s ‘Killers of The Flower Moon
James Lapping (he/him) deconstructs Indigenous representation in Scorsese’s latest epic
Napoleon: Spectacle-filled Epic Slightly Disappoints with Historical Inaccuracies
By James Clay
James Clay (he/him) reviews Ridley Scott’s historical drama about Napoleon Bonaparte
Saltburn: A Film of Extravagant but Nonetheless Thoroughly Enjoyable Indulgence
James Clay (he/him) reviews Emerald Fennel’s new comedic psychological thriller
Wes Anderson’s Roald Dahl - A Lesson in Adaptation
By Charlie Craven
Charlie Craven (he/him) explores the wonderful world of Wes Anderson's adaptations
