Previously Held Positions: Deputy Film and TV Editor (2021-2021)
How ‘Goodfellas’ Became Scorsese’s Most Misunderstood Masterpiece
By Camila Hernandez
Camila Hernandez explores the figure of the criminal anti-hero in the stylish 1990 gangster flick
A Critique of 'Dark Academia'
Camila Hernandez looks at the need for Dark Academia to become more diverse.
Atlantique – "We were cast into the depths"
Camila Hernández reviews Mati Diop's Senegalese Social Realist film with a supernatural twist
The Colour of Pomegranates: Every Memory a Tapestry
Camila Hernández analyses the enchanting imagery of Parajanov's 1969 dreamscape
Poetry Collection Review: ‘Time Is A Mother’, Ocean Vuong
Camila Hernández (she/her) EXPLORES motherhood, migration and loss in Vuong’s ‘Time is a Mother’.
The Metamorphosis of Birds: Metaphors, Myths and Magical Realism
Camila Hernández traces the transcendental textures of Catarina Vasconcelos generational saga
Review: The Pretty Reckless – Other Worlds LP
Camila Hernandez praises the prog rockers' acoustic finesse with this new LP
Decision to Leave: Park Chan-wook Does Vertigo
Camila reviews the latest Hitchcockian neo-noir thriller by Park Chan-wook
Do Revenge: Coming of Rage
Camila Hernández looks at how Netflix's latest chick flick compares to it's 90s predecessors
Terror in Technicolour: the Legacy of Suspiria
Camila Hernández looks at the legacy and rebirth of Suspiria
Daughters of the Dust: Julie Dash, Lemonade and The Sublime Softness of Rising Out of History
Camila examines Daughters of the Dust, and it's impact on the arts into the 21st Century
“It’s not her fault she was born.”: A Review of ‘Breasts and Eggs’ by Mieko Kawakami
Camila Hernandez reviews 'Breasts and Eggs' by Mieko Kawakami, and sheds light on the novel's examination of gender roles.
